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I don't even know what this means.... Therefore I categorize myself in the "awesome people" group .
I get super tilted when I see Sheiks username and Perry's avatar in the same thread, feel they should swap
I don't even know what this means.... Therefore I categorize myself in the "awesome people" group .
I'm awesome too. Louisville is 985 miles from those Massholes.
You're relatively new to chipping, but still been around long enough to know you're spewing horseshit. Maybe you're off you're meds, but I'm not sure what ulterior motive you have for skewering @Toby who has been stand-up fair to everyone AFAIK across 3 forums. Hire any designer, J5, Toby, etc. and you don't own the design. You effectively leased the right to use it for your set. You want to follow up getting dealer buttons, cut cards, labels made? You need to pay them to alter the art and meet specs. Stop being a fucking troll.
We planned it.I get super tilted when I see Sheiks username and Perry's avatar in the same thread, feel they should swap
I'm quite curious about this because my wife is looking into creating some apparel and my assumption was that we would be paying one time for logo/designs/etc. Not every time we wanted to print some new product using the same logo.
France and Germany differ from the US, UK, and Canada in this regard:
"Analysis of International
Work-for-Hire Laws
The following memorandum addresses the concept of works made
for hire in the international arena. Specifically, it discusses how the
copyright laws of the United States, Australia, the United Kingdom,
France, Germany, China, and Japan treat creative works when the author
is either an employee or an independent contractor.
Executive Summary
Japan and three common law states (the United States, Australia,
and the United Kingdom) recognize works made for hire in the
employment context by providing for the vesting of ownership in an
employer for the creative works of employees made in the course or scope
of employment. Australia, however, does make an exception for the
works of professional journalists.
France, Germany, and China, all civil law countries, vest initial
ownership of such a work in the employee, but Chinese law provides for a
mandatory two-year license to the employer by the employee. German
courts also often will imply a contractual transfer of ownership to the
employer based upon an employment agreement. In most cases, moral
rights are retained by the employee author as they are inalienable once
originally vested in the employee. All three nations have specific
exceptions for software, ownership of which vests in the employer.
France and Germany have similar exceptions for audio-visual works, and
France and China have exceptions for collective works...."
What I consider reasonable, having built a custom set, with custom labels:
-If I want more chips (add-ons) or dealer buttons or cut cards to be made, I don't owe anything more to the designer.
-If I sell my chips to another person, the buyer doesn't owe anything to the designer.
-If another person wants to build exactly the same set, they should ask for MY permission first, about a yes or a no, and then (if I say yes) they should ask the designer about his possibly demanding extra remuneration (it's up to the designer). Think about Michelangelo and the Pope. I 'm the Pope who paid for the work of art, sorry
-If another person wants to use my labels on totally different chips, then it's exactly as above.
Of course Nike will do nothing without a contract because of this. Btw google "nike swoosh designer story" it's an interesting read. The woman who designed the swoosh was paid $35. Years later she got some stock (worth like $1million now).Bullshit. This wasn't some piece of art that Toby painted that lemon wanted a print of. This is artwork that was commissioned BY lemon for HIS project. It's much more akin to a company hiring a designer to come up with a logo for them. Imagine if Nike had to pay some graphic designer every time a new pair of shoes or t-shirt gets made because the graphic designer duped Nike with some bullshit licensing contract, taking advantage of them not knowing how this stuff worked, just assuming they were buying the logo, rather than paying for permission to "borrow" it when they commissioned it in the first place.
You can only buy the right to use a design. If you want that right forever, exclusively and for every application possible you might have to pay much more for that compared to using it for two sets of chips. Or the designer says "sure, use it for whatever you want!"Yeah that's cool initially, the designer should be compensated. Buying a set with the impression that doing a few labels is ok, and then being asked for more money once it gets to that stage is BS.
So if I commission one of the designers (@p5woody, @Johnny5) to do custom artwork for a set, they forever own the rights to that design??
As far as I know its not a problem to do a derivation. A one-to-one copy is another thing. Think of fake designer clothes or watches.If the answer is no, then where do you draw the line? It's obvious that the SB design is a derivation of the Dunes. Should people be asking Toby or the owner of the Dunes design for permission to replicate it? Did Toby get permission to modify the Dunes logo? If not, then how can anyone claim that he owns the SB replica if he did not have permission to create it in the first place?
If you want open data (the design files) things can get expensive very fast. If a designer is willing to sell them to you at all.The main difference in this case, it seems, is that Lemon does not have the design files...so he has essentially only "leased" the design.
The most expensive SB chip, after all the costs, was the hundo. $1.66e. But sure, be pissed off at me for taking advantage of you all you like. Go for it.
I'm not sure you're correct on that point. I think most people here (except maybe newbies) have a pretty decent grasp on how designer rights work in relation to chip-related artwork. Start a poll....most people here would feel as though they had been wronged if they were on the receiving end of Toby's arrangement.
I’m also curious where the line is, for instance if I remove the trees, change the typeface and slightly alter the text is this now a royalty free usable image for labels?View attachment 331011
Or am I now borderline infringing upon Breaking Bad IP?
View attachment 331013
Woah let’s not make statements without all the facts here .I'm not sure you're correct on that point. I think most people here (except maybe newbies) have a pretty decent grasp on how designer rights work in relation to chip-related artwork. Start a poll....
Big difference between not liking something, and feeling wronged by it.
....I'm genuinely asking the question, because it happens a lot with these types of homage design such as the sunsets, or concrete jungle lol surely consideration has to be given to the idea and the inspiration.
View attachment 330915View attachment 330916
I just have a general question. If I created a design in Photoshop because I don't use Illustrator, and pay someone to make it into an AI file, who would typically own the rights to it?
....PS your egg salad sucks
pps: All egg salad sucks.
pps: All egg salad sucks.
That's another can of worms. The Sunset Beach chips are clearly what is called a "derivative work", for which copyright still rests with the designer of the Dunes chips (unless that copyright has expired, which at "life of the author plus 70 years" is highly unlikely). Without permission from the original copyright holder, that Sunset Beach design was clearly illegally produced and used.
As are many other derivative chips. The derivative creators and producers are simply betting their money that the original copyright owners will not care enough to prosecute.
You’re mistaken, I believe.
According to Wikipedia, derivative work becomes a “second, separate work independent from the first...the transformation, modification, or adaption of the work must be substantial and bear its authors personality sufficiently to be original and thus protected by copyright.”
Clearly the adaption of the work is substantial enough that you can tell the difference just by looking at it, and since we all can agree....
I wouldn't.Who gives a shit about the law though? This has nothing to do with what is or isn't legal. It has everything to do with what's "right". And most people here would feel as though they had been wronged if they were on the receiving end of Toby's arrangement.
wow, courage, haven't seen you in a long time. Anyway, when I hired J5 , I was given the own the rights option or the borrow the rights option, nice to see you backYou're relatively new to chipping, but still been around long enough to know you're spewing horseshit. Maybe you're off you're meds, but I'm not sure what ulterior motive you have for skewering @Toby who has been stand-up fair to everyone AFAIK across 3 forums. Hire any designer, J5, Toby, etc. and you don't own the design. You effectively leased the right to use it for your set. You want to follow up getting dealer buttons, cut cards, labels made? You need to pay them to alter the art and meet specs. Stop being a fucking troll.
. I understand charging for changing a denom, but that takes 5 key strokes max?