I’ve been thinking about this for a few months now. The community feels like it’s shifting—changing, and maybe even a little divided. There’s this growing sense that some people look down on others who enjoy more affordable chips, which makes some hesitant to share their own sets. At the same time I really admire people collecting and chasing real clay sets, custom, fantasy and historic.
I own a CPC set, and I love it. For the longest time, I assumed my next set would be either another CPC or maybe a Matsui. ( I like customs more than real casino sets) But something changed for me. I had a hard time accepting that change—it left me with this hollow feeling. When you’ve dreamed for years about owning certain “grail” sets, what does it mean when those dreams suddenly don’t spark the same excitement? Am I not a true chip enthusiast anymore? Do I still belong here?
Then came the day I shuffled a sample of the Web mold chips. Here’s a screenshot from that day.
I still love my CPCs, and I still think Matsuis are great. But the Web mold hit a different chord. We all have our own formula: price, function, feel. For me, the Web mold tilted the scale. I realized I could get 90–95% of the feel I love, with more flexibility in custom colors, for a fraction of the price—thanks to Tina.
Since then, the spark I once had for designing a “high-end” set just… faded. I felt a little empty inside, chip-wise, for months. That lingering question kept bugging me: why chase a set that costs 5-8x more, when I know I’d be just as happy or maybe even happier with something else? It didn’t help seeing people in the forum refer to Tina chips as trash or beginner junk.
So yes, I ordered Web molds. And honestly, I probably spent just as much time designing and obsessing over them as anyone would for a premium clay set. But I know most here won’t see it that way. There’s still this stigma, this tendency to dismiss Tina chips and laugh at the idea of them ever being HOF-worthy. But here’s the thing—just because the paint is cheaper, doesn’t mean the art can’t be beautiful.
Don’t get me wrong—I still hate when people copy others’ artwork or steal designs. That kind of thing crosses a line. It’s in terrible taste, and honestly, I think it should be grounds for an outright ban on the forum if someone’s clearly doing it. Respecting creativity and originality should always be part of this hobby.
But that doesn’t change the fact that you can create incredible chips—beautiful, well-thought-out, high-quality sets—with original artwork, even when using more affordable materials. There’s no rule that says amazing design only comes from expensive molds or big price tags. Some of the best work I’ve seen lately is fresh, creative, and proudly built from the ground up on a budget. Like the Dunes
Maybe one day I’ll feel that spark again and find myself chasing a legendary clay set. Until then, I’ll love my hybrids and everything else in my collection just the same. Lower production cost doesn’t make them any less special to me.
So next time you’re commenting on someone’s post—before saying that “only junk comes in stacks of 25” or that Tina chips are “just for beginners”—remember this: these chips are damn good. And for the price? Nearly unbeatable.
I own a CPC set, and I love it. For the longest time, I assumed my next set would be either another CPC or maybe a Matsui. ( I like customs more than real casino sets) But something changed for me. I had a hard time accepting that change—it left me with this hollow feeling. When you’ve dreamed for years about owning certain “grail” sets, what does it mean when those dreams suddenly don’t spark the same excitement? Am I not a true chip enthusiast anymore? Do I still belong here?
Then came the day I shuffled a sample of the Web mold chips. Here’s a screenshot from that day.
I still love my CPCs, and I still think Matsuis are great. But the Web mold hit a different chord. We all have our own formula: price, function, feel. For me, the Web mold tilted the scale. I realized I could get 90–95% of the feel I love, with more flexibility in custom colors, for a fraction of the price—thanks to Tina.
Since then, the spark I once had for designing a “high-end” set just… faded. I felt a little empty inside, chip-wise, for months. That lingering question kept bugging me: why chase a set that costs 5-8x more, when I know I’d be just as happy or maybe even happier with something else? It didn’t help seeing people in the forum refer to Tina chips as trash or beginner junk.
So yes, I ordered Web molds. And honestly, I probably spent just as much time designing and obsessing over them as anyone would for a premium clay set. But I know most here won’t see it that way. There’s still this stigma, this tendency to dismiss Tina chips and laugh at the idea of them ever being HOF-worthy. But here’s the thing—just because the paint is cheaper, doesn’t mean the art can’t be beautiful.
Don’t get me wrong—I still hate when people copy others’ artwork or steal designs. That kind of thing crosses a line. It’s in terrible taste, and honestly, I think it should be grounds for an outright ban on the forum if someone’s clearly doing it. Respecting creativity and originality should always be part of this hobby.
But that doesn’t change the fact that you can create incredible chips—beautiful, well-thought-out, high-quality sets—with original artwork, even when using more affordable materials. There’s no rule that says amazing design only comes from expensive molds or big price tags. Some of the best work I’ve seen lately is fresh, creative, and proudly built from the ground up on a budget. Like the Dunes
Maybe one day I’ll feel that spark again and find myself chasing a legendary clay set. Until then, I’ll love my hybrids and everything else in my collection just the same. Lower production cost doesn’t make them any less special to me.
So next time you’re commenting on someone’s post—before saying that “only junk comes in stacks of 25” or that Tina chips are “just for beginners”—remember this: these chips are damn good. And for the price? Nearly unbeatable.